Conservation biology in this place has a distinguished scientific history, and includes two decades of ecological work by scientific editor Chris Dickman. Chris is one of Australia’s leading terrestrial ecologists and mammalogists. He is an outstanding writer and is passionate about communicating the scientific basis for concern about biodiversity in this region to the broadest possible audience.

Libby Robin, historian and award-winning writer, has co-ordinated the writings of the 46 contributors whose voices collectively portray the Desert Channels in all its facets. The emphasis of the book is on partnerships that conserve landscapes and communities together. Short textboxes add local and technical commentary where relevant. Art and science combine with history and local knowledge to richly inform the writing and visual understanding of the country.

Conservation here is portrayed in four dimensions: place, landscape, biodiversity and livelihood. These four parts each carry four chapters. The ‘4x4’ structure was conceived by acclaimed artist, Mandy Martin, who has produced suites of artworks over three seasons in this format with commentaries, which make the interludes between parts. Martin’s work offers an aesthetic framework of place, which shapes how we see the region.

Desert Channels explores the impulse to protect the varied biodiversity of the region, and its Aboriginal, pastoral and prehistoric heritage, including some of Australia’s most important dinosaur sites. The work of Alice Duncan-Kemp, the region’s most significant literary figure, is highlighted. Even the sounds of the landscape are not forgotten: the book includes a CD by Alaskan radio journalist Richard Nelson talking to ecologist Steve Morton at Ocean Bore in the Simpson Desert country. The twitter of zebra finches accompanies the interview.

Conservation can be accomplished in various ways and Desert Channels combines many distinguished voices. The impulse to conserve is shared by local landholders, conservation enthusiasts (from the community and from national and international organisations), Indigenous owners, professional biologists, artists and historians.

• Combines visual appreciation of the region with accessible text about its intriguing natural history, its people and their histories and the various ways that people are working to conserve the land, the rivers and the creatures
• Celebrates what people in the region value about their place, and what visitors might find when they visit
• Strong writing by many prize-winning writers
• Features the artworks of Mandy Martin, one of Australia’s premier artists
• CD of Alaskan radio program Encounter, where international nature writer and broadcaster, Richard Nelson, interviews Steve Morton about Zebra Finches at Oceans Bore, Cravens Peak Reserve

CSIRO PUBLISHING would like to thank RAPAD whose generous financial support made the publication of this work possible.

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Chris Dickman is Professor in Terrestrial Ecology at the University of Sydney, and author of the popular book A Fragile Balance: The Extraordinary Story of Australian Marsupials (2007), which won the Whitley Medal for advancing zoological knowledge in 2008. He has been studying the natural history of the Desert Channels area for 20 years, and has published extensively on this.

Mandy Martin is one of Australia’s best known artists, with work in most major Australian galleries. She is a pioneering scholar in interdisciplinary environmental art projects, including the book Inflows: the Channel Country (2001), which focuses on this region. Her art is underpinned by a consuming passion for the future of the Australian landscape, particularly the desert landscapes.