Monitoring Colour and Fading: Fluorescent Pigments in Works of Art

Maria Kubik

doi:10.1071/CH04257

RESEARCH ARTICLE

Previous Contents Vol 58(3)

Monitoring Colour and Fading: Fluorescent Pigments in Works of Art

Maria Kubik ^A

+ Author Affiliations

- Author Affiliations

^A Research School of Chemistry, Australian National University, Canberra ACT 0200, Australia. Email: kubik@rsc.anu.edu.au

Maria Kubik completed a B.A. from the University of Queensland, followed by a B.App.Sc. and M.App.Sc. in painting conservation at the University of Canberra. She is currently undertaking Ph.D. research into non-destructive analysis of Australian art.

Australian Journal of Chemistry 58(3) 234-234 https://doi.org/10.1071/CH04257
Submitted: 27 October 2004 Accepted: 10 January 2005 Published: 15 March 2005

Acknowledgments

I thank Dr Peter Mahon and Prof Dudley Creagh of the University of Canberra's Corrosion and Spectrochemistry Laboratory for access and assistance with their Cary Eclipse spectrometer.

References

[1] C. Dane, Chem. Br. 1977, 13, 335.

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[6] G. Thomson, The Museum Environment 1978 (Butterworths: London).

[7] Y. Noda, S. Shimoyama, in Dyes in History and Archaeology (Ed. J. Kirby) 1999, Vol. 18, pp. 73–82 (Archetype: London).

Monitoring Colour and Fading: Fluorescent Pigments in Works of Art

Acknowledgments

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